A R Reddy presents Rs 1,28,542 crore Budget
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Andhra Pradesh Finance Minister Aanam Ramanarayana Reddy today unveiled a
Rs 1,28,542 crore Budget for the 2011—12 financial year, projecting a
fiscal def...
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Tuesday, July 7, 2009
Friday, July 3, 2009
his First LOVE called him.... Oy...
Oye is a Telugu film written and directed by newcomer Anand Ranga, who assisted Bhaskar in the Telugu blockbuster Bommarillu. The film stars Siddharth and child artiste-turned-heroine Baby Shamili of Mani Ratnam's Anjali fame. The film, which has music composed by music director Yuvan Shankar Raja.
In this movie Siddhartha is a college boy who falls in love with Shamili. The story moves around how both reunite by fighting with the old traditions of the world.
Uday, a young rich kid, who believes in the adage of life is short and live it to the fullest. He falls in love with a docile girl Sandhya (Shamili) at a first sight when he catches her in writing dairy at a pub wearing chudidar. She lives alone at a beachside house, running a nursery. She is very traditional girl with her own ideals. He enters in her house as P.G to make her fall in love. On her birthday, he expresses his love and presents 12 beautiful birthday gifts. On the same day it is revealed that she is suffering from a terminal disease. The rest of the movie is how he makes her life beautiful before she dies.
Although the film is copied from Korean film, A Millionaire's First Love (2006), it is well structured in the first half. Only in the later part of the movie it drags on.
Performance of Siddharth and Samili is good, but the strength of the movie lies in technical aspects. Vijay Chakravarthy did a commendable job as Cinematography.
Basic plot is taken from A Millionaire's First Love (2006) but has influences of Hollywood film Love Story (1971) and Geetanjali (1989) of Telugu.
Saturday, June 27, 2009
Boni Movie Review

Story
DD (Sumanth) and Chinna are orphans and childhood friends. Their aim in life is to set up a ‘Pulihora centre’. DD joins a local goon’s (Jayaprakash Reddy) gang so that he could easily get money for the pulihora center. On his first job, he is assigned to kidnap a girl Pragathi, a minister’s daughter with noble intentions. In fact, Pragathi herself hatches a kidnap plan with her friend to demand 4 Crores from her father to rescue farmer who are losing their land. She thinks that DD has kidnapped her on her friend’s advice. Later she knows the truth but by that time she starts liking him. Then DD’s boss comes to him and orders him to kill her. But he flees with her. The rest of the story is finding the person who hatched the plan to murder Pragathi.
Artists Performance:
Sumanth has done such orphan-rowdy characters in the past and he does role effortlessly. His sidekick is irritating to the most, it is very purely etched role. Newcomer Kriti is okay. Jayaprakash Reddy’s role is in the lines of Paresh Rawal’s in Kshana Kshanam. Comedy track by Satyam Rajesh and Naresh, Bablu and others is mediocre. Chandramohan portrays the ‘surprising role’ with ease.
Technically, it is cinematographer Andrew’s camera and music director Ramana Gogula’s work is appreciable. New director Raj Pippala has tried to present the movie in novel way but he is letdown by his own team of writers. Writing is bad, to say the least.
Boni tries to tread path with action-love backdrop but fails miserably. Boni is not a right debut for the producer and director. The movie is laced with hotchpotch of screenplay, lengthy and unnecessary scenes and predictable humor.
Analysis:
Music director Ramana Gogula has turned producer with Boni and apart from producing it, he also handles the departments of music, picturisation of songs and creative design (whatever that means!). NRI director Raj Pippala has made debut with this film. The director’s basic premise - a guy kidnapping a girl who herself wants to be kidnapped for noble reasons and during the episode, they start falling in love with each other - sounds good on paper. Sadly, the execution, especially the screenplay, is too hotchpotch that the movie finally ends up a cockeyed one. Writing is too bad (both the screenplay and dialogs). Till interval, hardly anything happens. Except cinematography and couple of good songs, this badly executed, badly written movie leaves the audiences in boredom. And it is too lengthy for this sort of a kidnap drama.
Is there any Pulihora center (exclusively Pulihora selling hotel) exists in Andhra Pradesh? Even if it does, how much it costs to set it up? Rs 7Lakhs? Hero joining a mafia leader to get Rs 7 Lakhs to set up a pulihora center is hard to believe.
Final Analysis:
Boni tries to tread path with action-love backdrop but fails miserably. Boni is not a right debut for the producer and director. The movie is laced with hotchpotch of screenplay, lengthy and unnecessary scenes and predictable humor.
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